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FRETBOARD CHART
OPEN
STRING |
** E ** |
** A ** |
** D ** |
** G ** |
| *(frets) 1 |
F |
A# (Bb) |
D# (Eb) |
G# (Ab) |
| 2 |
F# (Gb) |
B |
E |
A |
| 3 |
G |
C |
F |
A# (Bb) |
| 4 |
G# (Ab) |
C# (Db) |
F# (Gb) |
B |
| 5 |
A |
D |
G |
C |
| 6 |
A# (Bb) |
D# (Eb) |
G# (Ab) |
C# (Db) |
| 7 |
B |
E |
A |
D |
| 8 |
C |
F |
A# (Bb) |
D# (Eb) |
| 9 |
C# (Db) |
F# (Gb) |
B |
E |
| 10 |
D |
G |
C |
F |
| 11 |
D# (Eb) |
G# (Ab) |
C# (Db) |
F# (Gb) |
| 12 |
E |
A |
D |
G |
After the 12th fret the notes are the same as on
the second fret but an octave higher, for instance, on the 13th
fret of the E string we will find an F, on the 14th fret an F#,
etc. After some time and practice, every note will connect easily
as you play them and the relationship between hands, mind and
fretboard will become automatic. Know'em and play'em, that's how
it goes.
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